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An den Grenzen der Kunst
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Installationskunst verschiebt die Grenzen der Knste und der Kunst, indem sie die Knste freinander und die Kunst fr die auerknstlerische Realitt sowie fr die Betrachterin ffnet. Das wirft nach Ansicht vieler die Frage auf, ob Installationskunst autonom ist. Die erfahrungstheoretische sthetik behauptet, Installationskunst als autonome Kunst begreiflich machen zu knnen, wodurch diese sthetik sich von Theodor W. Adornos sthetik unterscheide. Das Buch zeigt, dass das nicht zutrifft, und wie Adornos sthetik zur philosophischen Reflexion von Installationskunst beitragen kann.
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